Carlos Di Sarli

Carlos Di Sarli (baptized Cayetano di Sarli; January 7, 1903, Bahía Blanca – January 12, 1960, Olivos, Buenos Aires) was an Argentine tango pianist, composer, orchestra leader, and conductor. Born the eighth child of Italian immigrant gunsmith Miguel Di Sarli and Serafina Russomano (daughter of tenor Tito Russomano), di Sarli received classical musical training from his musician brother. At age 13, a workplace accident in his father’s gunsmith store cost him an eye, after which he wore dark glasses throughout his life. He established his first orchestra in Bahía Blanca in 1919 before relocating to Buenos Aires in 1923, where he performed with various ensembles including those of Osvaldo Fresedo, who significantly influenced his musical style. In late 1927, di Sarli formed his own sextet, recording prolifically for RCA Victor from 1928–1931. After reorganizing in 1938, he experienced his golden period (1939–1949) recording 155 sides, notably with vocalist Roberto Rufino (1939–1943, 46 recordings) and later Alberto Podestá (1942–1947). Following a brief withdrawal, di Sarli returned in 1951 to record 84 tracks for Music Hall (1951–1953) and subsequently for RCA Victor and Philips through 1958. His final performance occurred March 8, 1959. Di Sarli is renowned for his sophisticated, smooth orchestral arrangements emphasizing melody and clear rhythm over flashy instrumental solos—a signature “clean compás” that made his music both beginner-friendly and appreciated by advanced dancers. As composer, he created enduring pieces including “Bahía Blanca” (dedicated to his birthplace), “Milonguero viejo” (homage to Fresedo), “Nido gaucho,” “Verdemar,” and “Porteño y bailarín.” His nickname “El Señor del Tango” (The Gentleman of Tango) reflects his reputation for musical elegance and restraint in an art form often favoring extremes.